Handy, Navi & Mobil

Amazon.co.uk

DD Guttenplan's choice of David Irving's libel suit against Deborah Lipstadt and Penguin Books as subject matter for his first book, The Holocaust on Trial, proves a challenging but ultimately justified one. Guttenplan, an American writer now living in London, sat through every day of the trial in 1999. At stake were two things of varying importance: the position in law of the Holocaust and its definable constituents, and the reputation of David Irving. Irving was suing the defendants for remarks in Lipstadt's book, Denying the Holocaust which, he claimed, falsely labelled him a Holocaust denier. His argument was that while he did not believe there had been a systematic murder of Jews, and questioned the existence of gas chambers at Auschwitz for such a purpose, he did not deny that millions had met their deaths. The result was nine weeks of intense and wide-searching debate, which saw history, and historiography, very much on trial.

In a way, it was a strange performance. The female lead, so to speak, did not have a single line, and the decision to dispense with a jury left narrative gaps for Guttenplan to colour in with an informed and informative sweep of alternative texts and secondary material. He describes the woefully tragicomic story of Fred "Mr Death" Leuchter, as well as the characters and lives of Irving, Lipstadt, Grey, Richard Rampton, Penguin's QC, solicitor Anthony Julius, and witnesses such as Richard Evans, a desert-dry academic whose pedantry slowly eats away at Irving's scholarship. Irving, who defended himself, sniped around the margins, correcting footnotes, and trying to undermine rather than refute. A Hitler partisan who referred to him casually as "Adolf" and the judge as "Mein Führer", while denying the Nazis' systematic oppression and attempted extermination of European Jewry, he maintained indignantly that he himself was the victim of systematic abuse by a Jewish conspiracy. That Penguin and Lipstadt won the case was absolutely essential for future legal actions concerning Holocaust denial, though Guttenplan rightly expresses concern that a history of "facts", shorn of personal testimony, should never be mistaken for Truth. Even with the caveat that his text is distractingly geared to an American readership, Guttenplan's scrupulous, thoughtful account renders accessible and human a legal battle as crucial as it was, to most, distasteful. --David Vincent

Amazon.com

D.D. Guttenplan's The Holocaust on Trial is a thorough account of a landmark trial in the ongoing controversy over Holocaust denial. In 1977, the publication of Hitler's War by the British historian David Irving caused a stir with its sweeping revisionist claims about the Holocaust. According to Irving, Hitler did not command the murder of millions of European Jews; in fact, he was barely aware that the Holocaust had happened. In 1994, American historian Deborah Lipstadt refuted Irving's findings in Denying the Holocaust. In 2000, Irving sued Lipstadt for libel--in England, where there is no analog to the First Amendment, and libel laws strongly favor plaintiffs. The ensuing trial raised questions about how "history is judged, as well as made." As a journalist, Guttenplan is particularly skilled at drawing sharp character sketches. (For instance, Irving's swaggering success as a wunderkind historian is epitomized by his fancy Mayfair flat and his Rolls Royce.) The author's talent for character sketches shapes his larger perspective on the trial as well. In this book's conclusion, Guttenplan notes the massive number of empirical facts cited as evidence on both sides of the argument, and rues the lack of "witnesses, memories, testimony," which, he argues, is another central and necessary aspect of historical truth. --Michael Joseph Gross