Handy, Navi & Mobil

Produktbeschreibung

Erscheinungsjahr: 2004
Gewicht: 145 gr / Abmessung: 18 cm
Von Huxley, Aldous

Far in the future, the World Controllers have created the ideal society. Through clever use of genetic engineering, brainwashing and recreational sex and drugs all its members are happy consumers. Bernard Marx seems alone in feeling discontent. Harbouring an unnatural desire for solitude, and a perverse distaste for the pleasures of compulsory promiscuity, Bernard has an ill-defined longing to break free. A visit to one of the few remaining Savage Reservations where the old, imperfect life still continues, may be the cure for his distress-Huxley''s ingenious fantasy of the future sheds a blazing light on the present and is considered to be his most enduring masterpiece.

Amazon.com

Kurzbeschreibung

Kurzbeschreibung

Eighteen year-old Brinn Hathaway has survived alone in an abandoned cabin in the High Country of North Georgia since she was a child. If her life is lonely and less than complete, at least she is safe from the man who kidnapped her, held her captive, and left her for dead in a shallow grave in the mountains. She believes that her parents are dead, the police are her enemy, and that if she returns to the world, her tormentor will find her. With the help of some unlikely friends, she has what she needs to survive, but is surviving enough?

Life takes a turn when a young nature photographer, Justin Spencer?in pursuit of the fabled Wild Child?captures her on film. While chasing the story of a lifetime, Justin is injured and Brinn comes to his rescue. The two build a tentative friendship, but with his own violent past, an abusive alcoholic father, and a mother he couldn?t protect, he must decide if proving himself is worth betraying the trust of the girl he has vowed to help.

Trust is a commodity that Brinn has been unable to afford. Can the kindness and gentle touch of a stranger break through the wall she has built around her heart? After half a lifetime of living in isolation and fear, Brinn must decide if leaving the safety of her remote cabin is worth the hope?and danger?that may await her.

Kurzbeschreibung

Eighteen year-old Brinn Hathaway has survived alone in an abandoned cabin in the High Country of North Georgia since she was a child. If her life is lonely and less than complete, at least she is safe from the man who kidnapped her, held her captive, and left her for dead in a shallow grave in the mountains. She believes that her parents are dead, the police are her enemy, and that if she returns to the world, her tormentor will find her. With the help of some unlikely friends, she has what she needs to survive, but is surviving enough?

Life takes a turn when a young nature photographer, Justin Spencer?in pursuit of the fabled Wild Child?captures her on film. While chasing the story of a lifetime, Justin is injured and Brinn comes to his rescue. The two build a tentative friendship, but with his own violent past, an abusive alcoholic father, and a mother he couldn?t protect, he must decide if proving himself is worth betraying the trust of the girl he has vowed to help.

Trust is a commodity that Brinn has been unable to afford. Can the kindness and gentle touch of a stranger break through the wall she has built around her heart? After half a lifetime of living in isolation and fear, Brinn must decide if leaving the safety of her remote cabin is worth the hope?and danger?that may await her.

Kurzbeschreibung

Fighting for survival in a shattered world? the truth is her only hope.

The thrillingly dark sequel to New York Times bestseller, DIVERGENT.

I have done bad things. I can?t take them back, and they are part of who I am.

Tris has survived a brutal attack on her former home and family. But she has paid a terrible price. Wracked by grief and guilt, she becomes ever more reckless as she struggles to accept her new future.

Yet if Tris wants to uncover the truth about her world, she must be stronger than ever? because more shocking choices and sacrifices lie ahead.

Amazon.co.uk

For the first time in a decade, Willy Wonka, the reclusive and eccentric chocolate maker, is opening his doors to the public--well, five members of the public, actually. The lucky five who find a Golden Ticket in their Wonka bars will receive a private tour of the factory, given by Mr Wonka himself. For young Charlie Bucket, this a dream come true. So when he finds a dollar bill in the street, he can't help but buy two Wonka's Whipple-Scrumptious Fudgemallow Delights--even though his impoverished family could certainly use the extra dollar for food. But as Charlie unwraps the second chocolate bar, he sees the glimmer of gold just under the wrapper. The very next day, Charlie, along with his unworthy fellow winners Mike Teavee, Veruca Salt, Violet Beauregarde and Augustus Gloop, steps through the factory gates to discover whether or not the rumours surrounding the Chocolate Factory and its mysterious owner are true. What they find is that the gossip can't compare to the extraordinary truth, and for Charlie, life will never be the same again. Charlie and the Chocolate Factory: another unforgettable masterpiece from the legendary Roald Dahl, never fails to delight, thrill and utterly captivate. (Ages 9 to 12) --Susan Harrison

Amazon.co.uk

For the first time in a decade, Willy Wonka, the reclusive and eccentric chocolate maker, is opening his doors to the public--well, five members of the public to be exact. The lucky five who find a Golden Ticket in their Wonka chocolate bars will receive a private tour of the factory, given by Mr. Wonka himself. For young Charlie Bucket, this is a dream come true. And, when he finds a dollar bill in the street, he can't help but buy two Wonka's Whipple-Scrumptious Fudgemallow Delights--even though his impoverished family could certainly use the extra dollar for food. But as Charlie unwraps the second chocolate bar, he sees the glimmer of gold just under the wrapper! The very next day, Charlie, along with his unworthy fellow winners Mike Teavee, Veruca Salt, Violet Beauregarde and Augustus Gloop, steps through the factory gates to discover whether or not the rumors surrounding the Chocolate Factory and its mysterious owner are true. What they find is that the gossip can't compare to the extraordinary truth, and for Charlie, life will never be the same again. Charlie and the Chocolate Factory, another unforgettable masterpiece from the legendary Roald Dahl, never fails to delight, thrill and utterly captivate. (Ages 9 to 12)

Amazon.com

For the first time in a decade, Willy Wonka, the reclusive and eccentric chocolate maker, is opening his doors to the public--well, five members of the public to be exact. The lucky five who find a Golden Ticket in their Wonka chocolate bars will receive a private tour of the factory, given by Mr. Wonka himself. For young Charlie Bucket, this a dream come true. And, when he finds a dollar bill in the street, he can't help but buy two Wonka's Whipple-Scrumptious Fudgemallow Delights--even though his impoverished family could certainly use the extra dollar for food. But as Charlie unwraps the second chocolate bar, he sees the glimmer of gold just under the wrapper! The very next day, Charlie, along with his unworthy fellow winners Mike Teavee, Veruca Salt, Violet Beauregarde, and Augustus Gloop, steps through the factory gates to discover whether or not the rumors surrounding the Chocolate Factory and its mysterious owner are true. What they find is that the gossip can't compare to the extraordinary truth, and for Charlie, life will never be the same again. Charlie and the Chocolate Factory, another unforgettable masterpiece from the legendary Roald Dahl, never fails to delight, thrill, and utterly captivate. (Ages 9 to 12)

Kurzbeschreibung

Produktbeschreibung

Erscheinungsjahr: 2004
Gewicht: 67 gr / Abmessung: 18 cm
Von Hemingway, Ernest

Mit dem vorliegenden Werk erreichte Hemmingway einen Gipfel seiner Erzählkunst. In dieser Geschichte von dem alten Fischer, dem nach Monaten glückloser Ausfahrt endlich ein riesiger Fisch an die Angel geht und der diesen Fang seines Lebens in einem erschöpfenden Kampf wieder an das Meer und seine Haie verliert, durchdringen sich große Wirklichkeit und Symbol.

Aus der Amazon.de-Redaktion

Dieser Titel ist in englischer Sprache.
Das Seemannsgarn, das Hemingway in dieser Geschichte spinnt, macht dem Autor alle Ehre. Mehr noch: The Old Man and the Sea bedeutete eine Wiederbelebung der Karriere Ernest Hemingways, die unter der Last so harter Brocken der Nachkriegszeit wie Über den Fluß und in die Wälderunterzugehen drohte. Darüber hinaus verdankte Hemingway diesem Werk den Nobelpreis, der ihm Jahre 1954 zuerkannt wurde (eine Auszeichnung, die Hemingway nur allzu gerne entgegennahm, trotz seiner früherer Bemerkung, daß "kein Hurensohn, der einmal den Nobelpreis gewonnen hat, jemals wieder etwas Lesenswertes geschrieben hat").

Auch ein halbes Jahrhundert später bedarf die Auszeichnung keinerlei Rechtfertigung: Die Geschichte, in der ein alter kubanischer Fischer mit einem riesigen Marlin kämpft, fängt Hemingways Lieblingsmotive von körperlicher und moralischer Herausforderung ein. Doch ist Santiago zu alt und schwach, als daß er jene machohaften Kleider, die viele der späteren Werke Hemingways verunzierten, tragen könnte: "Auf den Backenknochen hatte er die braunen Flecken von harmlosem Hautkrebs, den die Sonne durch die Spiegelung auf tropischen Meeren verursacht hat. Die Flecken bedeckten ein gut Teil seines Gesichtes, und seine Hände zeigten die tief eingekerbten Spuren vom Handhaben schwerer Fische an den Leinen." Auch in puncto Stil kehrt Hemingway zu jenen meisterhaften Schnappschüssen von Wahrnehmung zurück, durch die er schon früh berühmt wurde: "Gerade bevor es dunkel wurde, als sie an einer großen Insel von Sargassotang vorbeikamen, die in der leicht bewegten See auf und ab wogte, als ob der Ozean unter jener gelben Decke mit etwas sein Liebesspiel triebe, biß eine Makrele an der kleinen Schnur an. Er sah sie zuerst, als sie, im letzten Sonnenlicht ganz golden, in die Luft sprang und sich in der Luft bog und heftig um sich schlug."

Hätte ein jüngerer Hemingway diesen Kurzroman geschrieben, hätte Santiago den riesigen Fisch wahrscheinlich ins Wasser zurückgeworfen und für ein triumphierendes Foto posiert, so wie der Autor dies um 1935 genüßlich zu tun pflegte. Stattdessen wird Santiagos Trophäe von einem Schwarm Haie verschlungen. Der Protagonist kehrt daraufhin mit kaum mehr als dem Skelett zurück, legt sich schlafen und zementiert in der letzten Zeile des Buches die Identifizierung mit seinem Schöpfer mit den Worten: "Der alte Mann schlief und träumte von den Löwen." Vielleicht verbirgt sich hinter diesem Satz ja eine Art Allegorie von Kunst und Erfahrung, zumindest aber war The Old Man and the Sea der letzte große Fischzug in Hemingways Karriere. --James Marcus

From Amazon.co.uk

Here, for a change, is a fish tale that actually does honour to the author. In fact The Old Man and the Sea revived Ernest Hemingway's career, which was foundering under the weight of such post-war stinkers as Across the River and into the Trees. It also led directly to his receipt of the Nobel Prize in 1954 (an award Hemingway gladly accepted, despite his earlier observation that "no son of a bitch that ever won the Nobel Prize ever wrote anything worth reading afterwards"). A half century later, it's still easy to see why. This tale of an aged Cuban fisherman going head-to-head (or hand-to-fin) with a magnificent marlin encapsulates Hemingway's favourite motifs of physical and moral challenge. Yet Santiago is too old and infirm to partake of the gun-toting machismo that disfigured much of the author's later work:

"The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords."

Hemingway's style, too, reverts to those superb snapshots of perception that won him his initial fame:

Just before it was dark, as they passed a great island of Sargasso weed that heaved and swung in the light sea as though the ocean were making love with something under a yellow blanket, his small line was taken by a dolphin. He saw it first when it jumped in the air, true gold in the last of the sun and bending and flapping wildly in the air.

If a younger Hemingway had written this novella, Santiago most likely would have towed the enormous fish back to port and posed for a triumphal photograph--just as the author delighted in doing, circa 1935. Instead his prize gets devoured by a school of sharks. Returning with little more than a skeleton, he takes to his bed and, in the very last line, cements his identification with his creator:

"The old man was dreaming about the lions."

Perhaps there's some allegory of art and experience floating around in there somewhere--but The Old Man and the Sea was, in any case, the last great catch of Hemingway's career. --James Marcus

Amazon.co.uk

Here, for a change, is a fish tale that actually does honour to the author. In fact The Old Man and the Sea revived Ernest Hemingway's career, which was foundering under the weight of such post-war stinkers as Across the River and into the Trees. It also led directly to his receipt of the Nobel Prize in 1954 (an award Hemingway gladly accepted, despite his earlier observation that "no son of a bitch that ever won the Nobel Prize ever wrote anything worth reading afterwards"). A half century later, it's still easy to see why. This tale of an aged Cuban fisherman going head-to-head (or hand-to-fin) with a magnificent marlin encapsulates Hemingway's favourite motifs of physical and moral challenge. Yet Santiago is too old and infirm to partake of the gun-toting machismo that disfigured much of the author's later work:

"The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords."

Hemingway's style, too, reverts to those superb snapshots of perception that won him his initial fame:

Just before it was dark, as they passed a great island of Sargasso weed that heaved and swung in the light sea as though the ocean were making love with something under a yellow blanket, his small line was taken by a dolphin. He saw it first when it jumped in the air, true gold in the last of the sun and bending and flapping wildly in the air.

If a younger Hemingway had written this novella, Santiago most likely would have towed the enormous fish back to port and posed for a triumphal photograph--just as the author delighted in doing, circa 1935. Instead his prize gets devoured by a school of sharks. Returning with little more than a skeleton, he takes to his bed and, in the very last line, cements his identification with his creator:

"The old man was dreaming about the lions."

Perhaps there's some allegory of art and experience floating around in there somewhere--but The Old Man and the Sea was, in any case, the last great catch of Hemingway's career. --James Marcus

Amazon.com

Here, for a change, is a fish tale that actually does honor to the author. In fact The Old Man and the Sea revived Ernest Hemingway's career, which was foundering under the weight of such postwar stinkers as Across the River and into the Trees. It also led directly to his receipt of the Nobel Prize in 1954 (an award Hemingway gladly accepted, despite his earlier observation that "no son of a bitch that ever won the Nobel Prize ever wrote anything worth reading afterwards"). A half century later, it's still easy to see why. This tale of an aged Cuban fisherman going head-to-head (or hand-to-fin) with a magnificent marlin encapsulates Hemingway's favorite motifs of physical and moral challenge. Yet Santiago is too old and infirm to partake of the gun-toting machismo that disfigured much of the author's later work: "The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords." Hemingway's style, too, reverts to those superb snapshots of perception that won him his initial fame:

Just before it was dark, as they passed a great island of Sargasso weed that heaved and swung in the light sea as though the ocean were making love with something under a yellow blanket, his small line was taken by a dolphin. He saw it first when it jumped in the air, true gold in the last of the sun and bending and flapping wildly in the air.

If a younger Hemingway had written this novella, Santiago most likely would have towed the enormous fish back to port and posed for a triumphal photograph--just as the author delighted in doing, circa 1935. Instead his prize gets devoured by a school of sharks. Returning with little more than a skeleton, he takes to his bed and, in the very last line, cements his identification with his creator: "The old man was dreaming about the lions." Perhaps there's some allegory of art and experience floating around in there somewhere--but The Old Man and the Sea was, in any case, the last great catch of Hemingway's career. --James Marcus